Yale University, MFA, 1964
Carnegie-Mellon University, BFA, 1962

Member, That National Academy of Design, New York, 1992
National Endowment for the Arts, 1991
The Emil and Dines Carlsen Award, The National Academy of Design, 1989
National Endowment for the Arts Grant, 1982
Purchase Award, Butler Institute of Technology, New York, 1977
Purchase Award, Fashion Institute of Technology, New York, 1977
Creative Artists Public Service Grant, Artist in Residence, Palisades Interstate Park, New York, 1975
McDowell Colony Fellowship, 1974, 79, 82
Fulbright Grant, Rome, 1966-67
Yale/Norfolk Award, 1961
Alpha Gallery, Boston, MA, 2000
Fischbach Gallery, New York, 1999
Fischbach Gallery, New York, 1998
Fischbach Gallery, New York, 1995
Alpha Gallery, Boston, MA, 1995
Fischbach Gallery, New York, 1993
Alpha Gallery, Boston,  1992
Fischbach Gallery, New York, 1991
Fischbach Gallery, New York, 1989
Fischbach Gallery, New York, 1987
Detwiller Visiting Artists Series, Williams Center for the Arts,
      Lafayette College, Easton, PA, 1986
Fischbach Gallery, New York, 1985
Alpha Gallery, Boston, 1985
Fischbach Gallery, New York, 1982
Alpha Gallery, Boston,  1982
Hewlett Gallery, Carnegie-Mellon University, PA, 1982
Fishbach Gallery, New York, 1981
Alpha Gallery, Boston, 1979
Terry Dittenfass Gallery, New York, 1978
Alpha Gallery, Boston, 1976
Terry Dittenfass Gallery, New York, 1975
Alpha Gallery, Boston, 1974
University of Maryland, Baltimore Campus, 1973
Alpha Gallery, Boston, 1972
"Four Artists, Four Objects, Ten Years," Evansville Museum of Arts and Sciences, Evansville, IN, 1999
"Get Real: Representational Paintings from the Permanent Collection," Decordova Museum and Sculpture Park, Lincoln, MA, 1999
"Wet Paint," Fischbach Gallery, New York, 1999
"Contemporary American Realism," M.A. Doran Gallery, Tulsa, OK, 1998
"Four Artists, Four Objects, Ten Years," Rahr-West Museum, Manitowac Museum, WN, 1997
"Four Artists, Four Objects," Fischbach Gallery, NY
"Visions of Spring," Lizan Tops Gallery, East Hampton, NY, 1996
"Cornucopia," One Champion Plaza, Stamford, CT, 1996
"Women in Visual Arts," Hollins College Art Gallery, Roanoke, VA, 1996
"In Celebration of Spring: Watercolors and Pastels," Lizan Tops Gallery, East Hampton, NY, 1995
"Herbert W. Plimpton Collection of Realist Art," Rose Art Museum, Brandeis Museum, Waltham, MA, 1995
"Maryland Institute: Then and Now," Joshua White Exhibition Center, Jim Thorpe, PA, 1994
"Works by Women Artists," Bryn Mawr College, Bryn Mawr, PA, 1994
"Excellence in Watercolor," New Jersey Center for the Visual Arts, Summit, NJ, 1994
"Aladar Marberger Memorial Exhibition," E.M. Klein Art Gallery, PA, 1993
"Interior Outlook," Gallery on Hasting-on-Hudson, New York, 1993
"Contemporary Still Life," Kavesh Gallery, WI, 1993
"Urban Icons," Klarfeld Perry Gallery, New York, 1991
"Watercolor Across the Ages," The Gallery of Bristol-Meyers Squibb, Princeton, NJ, 1991
"Still Life Anthology," Grace Borgenicht Gallery, New York, 1990
"165th Annual Exhibition," National Academy of Design, New York, 1989 - 1990
"Contemporary American Still Lifes," J. Rosenthal FIne Arts, Ltd., Chicago, IL
"Nocturnes," Alpha Gallery, Boston, MA, 1989
"Still Objective Painters," Fay Gold Gallery, Atlanta, GA, 1989
"Realists: Artists from the McDowell County," Keene State College, Keene, NH, 1989
"Group Show," Art Gallery, University of North Carolina, Greensboro, NC, 1998
"Collector's Gallery XXII," Marion Koogler McNay Art Museum, San Antonio, TX, 1988
"Animal Life," Curated by Gerret Henry, One Penn Plaza, New York, 1987
"Four Artists Collaborating," Tatistcheff Gallery, New York, 1987
"Nature Morte," Southern Alleghenies Museum of Art, Loretto, PA, 1986
"Group Show," J. Rosen that Fine Art, Ltd., Chicago, IL, 1986
"Arrangements in Color and Shape," C. Grimaldis Gallery, Baltimore, MD, 1986
"American Realism: 20th Century Drawings and Watercolors," organized by the Museum of Modern Art, San Fransisco, CA; traveling to: Decordova Museum and Sculpture Park, Lincoln, MA; Archer M. Huntington Art Gallery, University of Texas, Austin; Mary and Leigh Block Gallery, Northwestern University, Evanston, IL; Williams College Museum of Art, Williamstown, MA; Akron Art Museum, Akron, OH; Madison Art Center, Madison, WI, 1985-1986
"The Object Revitalized," The Paine Art Center and Arboretum, Oshkosh, WI; The Muscatine Art Museum, WI, 1985 - 1986
"American Realism," William Sawyer Gallery, San Fransisco, CA, 1985
"Realist Paintings," Fitchburg Art Museum, Ma, 1984
"Painted Light," Artist's Choice Museum, NY; traveled to: Queens Museum, NY; Colby College Gallery, ME, 1983
"Women Painters Today," The Rahr-West Museum, WI, 1983
"The Herbert W. Plimpton Collection of Art," Rose Art Museum, Brandeis University, Waltham, MA, 1982
"Eight Women, Still Life," New Britain Museum of American Art, New Britain, CT, 1982
"Collector's Gallery, XV," Marion Koogler McNay, San Antonio, TX, 1981
"Contemporary Naturalism: Work of the 1970s," The Nassau County Museum of Art, Roslyn, NY, 1980
"The Revival of Realism," Lehigh University, PA, 1979
"A new Sensibility," Forum Gallery, NY, 1978
"Forty First Annual Midyear Show,' Butler Institute, OH, 1977
"Painting and Sculpture Today," Indianapolis Museum of Art, 1976
"American Academy and Institute of Arts and Letters," NY, 1976
"Women Paint Women," Smithsonian Institute, Washington, DC, 1974
"Selections in Contemporary Realism," Akron Art Institute, Akron, OH, 1974
"Discerning Eye," Radcliffe Collector, Fogg Art Museum, Harvard Univeristy, Cambridge, MA, 1974
"New Talent," Terry Dintenfass Gallery, New York, 1973
"Summer Group," Allen Frumkin Gallery, New York, 1971
"I.F.A. Gallery," Washington, DC, 1968 - 1973
"New Talent,' Alpha Gallery, Boston, MA, 1968
"Boston Museum Annual Exhibitions," 1965 - 1970

Alliance Risk Specialists
Allied Bank of Texas, Houston
A.T. & T., New York
Amerada Hess Corporation, New Jersey
Art in Embassies Program, US Department of State, Washington, DC
Bank of New York
Becton-Dickinson Corporation, New Jersey
Boise Art Museum, ID
Brown, Wood, New York
Bryn Mawr College, Scott Collection of Women Artists, PA
Cargill Inc., Minnesota
Chase Manhattan Bank, NA
Commerce Bank Shares, Inc., Missouri
DeCordova Museum & Sculpture Park, Lincoln, MA
Delaware Art Museum
European American Bank, New York
Fashion Institute of Technology, New York
F.M.C. Corporation, IL
General Electric Corporation, CT
Lehman Brothers, New York
Loew's Corporation, New York
Marstellar Inc., New York
Massachusetts Envelope Company
Metropolitan Life Insurance
Michigan Bell
Museum of Fine Arts, Boston, MA
National Academy of Design, NY
New Britain Museum of Art, CT
Olympia and York Properties, NY
Pacific Telesis, CA
Pittsburgh Plate Glass
Rose Art Museum, Brandeis University, Waltham, MA
Shaw, Pittman, Potts and Trowbridge, Washington, DC
Simpson, Thatcher and Bartlett, NY
Stern College for Women, Yeshiva University, NY
Stroock, Stroock and Lavan, NY
The Utah Museum of Fine Arts, Salt Lake City, Utah
The Talbots, Inc., MA
Texas Commerce Bank Quarum, TX
T.R.W., Inc., OH
United Missouri Bank, NA, Missouri
Winson and Elkins, TX
Wellington Management Company, MA
Woodhull Hospital, NY
World Vision Enterprises

"Art in the Workplace," U.S. 1 Newspaper, Oct. 22, 1997
"Judith Swirsky curates traveling exhibition now at Bristol-Meyers Squibb," NewHope Gazette, Oct. 23, 1997
Janet Purcell, " Paintings by Numbers," Trenton Times
Barry Schwabsky, "Quadrupe Vision: Still Life with Pitcher, Etc.," New York Times, Nov. 2, 1997; New Jersey Section
Courtney Chapin, "Four Artists, Four Objects,Ten Years is a Technical Tour de Force at Squibb," Princeton Town Topics, Oct. 15, 1997
Keith Ingersoll, "To Each Her Own," Lawrence Ledger, Oct. 2, 1997
John Arthur, "Four Variations on a Still LIfe," (review), Watercolor, summer 1997
Sondra Freckelton, Women in the Visual Arts, catalogue essay, Hollins College Art Gallery, Feb. - March 1996, ill. p. 16
Sheridan Sansegundo, Review, East Hampton Star, April 1996
Robert Long, Review, South Hampton Press, May 11, 1995
Roby Braun, Review, East Hampton Independent, May 3, 1995
Gerritt Henry, "Nancy hagin," catalogue essay, Alpha Gallery, Boston, March 1995
Victoria Donahoe, Review, The Philadelphia Enquirer, Feb. 20, 1994, ill.
Jues and Nancy G. Heller, North American Women Artists in the 20th Century, (New York: Garland Publishing), 1994
Vivien Raynor, "An Attractive Exhibition of What Watercolors Can Do," The New York Times, Feb. 13, 1994
Eileen Watkins, "Watercolors Go Beyond Their Conservative Image," The Sunday Star Ledger, Feb. 13, 1994
Charles LeClair, Color in Contemporary Painting, (New York; Watson Guptill), 1991
Nancy Roberts, "Nancy Hagin: A Double Life," U.S. Arts, Jan./Feb. 1990, p. 36 - 41
John Arthur, Essay for 1989 Hagin Exhibition, 1989
Andrew Baseman, The Scarf, (NY, Stewart, Tabori and Chang), 1989
Editor, "Realists Featured at Keene Gallery," The Union Leader, Jan. 12, 1989
Alice Feld, "Can Art Imitate Art?" The Keene Sentinel, Jan. 12, 1989
"Special Event," The Boston Sunday Globe," Jan. 15, 1989
Gerritt Henry, Review, Art in America, Oct. 1987
Thomas Bolt, "Four Objects/Four Interpretations," American Artist, Feb. 1986
Elixabeth Leonard, Painting Flowers, (New York, Watson-Guptill), 1986
Wolff Kahn, "Autocratic and Democratic Still Lifes," American Artists, Feb. 1986
Gerritt Henry, Nancy Hagin Exhibition Catalogue, Detwiller Visiting Artists Series, Williams Center for the Arts, Lafayette College, Easton, PA, 1986
American Realism: 20th Century Drawings and Watercolors from the Glenn C. Janns Collection, Text by Alvin Martin, Forward by Henry T. Hopkins, Introduction to Glenn C. Janns, (New York: Harry N. Abrams, Inc. and the San Fransisco Museum of Modern Art), 1985
Charles LeClair, The Art of Watecolor: Techiniques and New Directions," (New Jersey, Prentice Hall, Inc.) 1985
Clyde Singer, "75 in Butlers 'Painted Light' Exhibit," The Youngstown Vindicator, Oct. 9, 1983
Elain A. King, "Celebration of the Familiar," Exhibition Catalogue, Hewlit Gallery of Carnegie Mellon University, Pittsburg, PA, 1982
Pamela Brown, Review, Arts, Jan. 1978
Robert Berlind, Review, Art in America, May/June 1978
Ann Sargent Wooster, Review, ArtNews, March 1978
John Perrault, Review, Soho Weekly News, Jan. 19, 1978
Jane Kay Holtz, Review, ArtNews, March 1978
Robert Taylor, "Nancy Hagin Draws Power from Window," The Boston Globe, Feb. 18, 1974
Lawrence Alloway, "Contemporary Naturalism," The Nation, June 25, 1973
Hilton Kramer, "Dealers Discover New Talent," The New York Times, June 17, 1973
James R. Mellow, "Freshness Vs. Seasoning; Two Schools of Thought," The New York Times, June 17, 1973
Richard Martin, "New York," Art and Artists, (England), Nov. 1973
Robert Taylor, "Nancy hagin's Acrylic Paintings - Secrets of the Commonplace," The Boston lobe, Oct. 2, 1972
University of the Arts, Philadelphia, PA
SUNY/Purchase, New York, 1994
Cooper Union, New York, 1982 - 1992
Fashion Institute of Technology, New York, 1974 - present
Rhode Island School of Design, 1974
Pratt Institute, Brooklyn, NY, 1973 - 1974, 1985
Maryland Institute College of Art, Baltimore, 1964 - 1973